Jesse Sensibar
“Hard times, hard writing, and whole hell of a lot to be thankful for.”
Dee Cohen on Poetry
Arizona poet Jesse Sensibar is at home on the road. He lives in both Flagstaff and Tucson, but travels frequently through the deserts, forests, and changing landscapes of the Southwest. “The places I call home are very important to me, but at the same time I always need to get out and get away.” Through his work as a tow-truck driver, he’s documented his journeys, taking photos and writing poems and essays that capture forgotten towns and people. His poetic work is gritty and direct, with an ability to highlight and heighten everyday struggles. For Jesse, poetry can “boil something much larger down to its essence, its few most important ideas, images, actions, or events.” Pulling from a lifetime of experiences “in tattoo shops, pizza parlors, corner bars, speed shops, and motorcycle clubhouses,” Jesse creates poems that reflect hard-won gains and heartbreaking setbacks.
Jesse has written two books: a collection of essays, My Disappearing West, and a memoir, Blood in the Asphalt: Prayers from the Highway. He is involved in many aspects of the writing community, including as a visiting author at ASU and former executive director of the Northern AZ Book Festival. His work has appeared in over 40 publications, and he performs in many venues throughout the state. He switches from essays to poems to flash-fiction to photos, depending on what he wants to express. “I choose the medium that works best to tell the story I am trying to tell. That’s primarily what I am, a storyteller.”
Jesse says he often visits and revisits repeating themes in his work. “I chew on them like a small dog with a large bone.” These recurring ideas include “documenting the passing of a rapidly disappearing American West and pondering the fleeting nature of memory, sin, spirituality and forgiveness.” Jesse relates that he can both “simultaneously hide in a poem and use it to reveal all sorts of secrets, feelings, etc., that might otherwise be difficult to give voice to. It’s also a great way to depart from the truth of an event without ever actually being a liar.”
Besides his familiar themes, Jesse’s work is influenced by other factors: “Personal experience, of course, but also things and people I hear and read, the work I do, and the landscapes I inhabit all influence my work. I’m never writing in a voice that’s not my own.” His honest voice leads him to create poems that demand to be expressed: “I write about whatever it is that’s stuck in my head that needs to come out. I write the poems of the life I’ve lived so they can’t help but come across as honest, or as honest as my experience allows them to be.”
It’s important to him to communicate with his readers. “I want you to feel what I feel. I want to impart to you some of the hard lessons I’ve learned.” Included in Jesse’s hard lessons are memories of years spent caught in the outlaw drug culture as a drug abuser. Nowadays, Jesse considers himself lucky. “I’ve lived a long life, much longer than I deserve given the things I’ve done. These are my bonus years. I count every day above ground as a good day.”
The following pieces are from a collection of six linked poems called Fire in the Bottom of the World that was published as a microzine by Rinky-Dink Press. “This collection has throughlines of family, fire and the Inland Empire of California, a place that reflects for me in my rear-view mirror my own damaged soul.” Reading Jesse’s poetry means traveling alongside him as he reveals a weathered world of damaged souls, fading highways, roadside memorials and beautiful sunrises.
For more visit jessesensibar.com.
Hear Jesse read these poems at youtu.be/CLNiTDrjEdo.
Light Changes Everything
If it’s a car bomb
or a sunrise
A stripper strobe
or a Polaroid flash bulb
A partial eclipse
or lung burning smoke
If it’s a forest fire
or a sunset
Light changes everything
The Last Will
I’ll leave all my pain to
twenty-three Saints and the Virgin.
I’ll leave the road to
my ghost in a butterfly-hood Kenworth.
I’ll leave my treasure to
my lovers and children.
I’ll leave my guns
on the ground where they fall.
Return From Kandahar
Every photo needs
a bit of sky
Especially the one of me
outside The Torches Motel
At dusk or sunrise
I don’t remember which
Whisky bottle in one hand
your waist in the other
Where I finally broke
Here in the bottom of the world
Dee Cohen is a Prescott poet and photographer. deecohen@cox.net.